Du willst dein Signal splitten und nicht auf passive Geräte, die deinen Tone killen und Signal verlieren zurückgreifen? Hier hast du was du brauchst! Diese kleine Zauberbox nimmt dein Inputsignal und splittet es permanent in zwei gebufferte Ausgangssignale, sodass dein Sound nicht an Klarheit verliert. Schließ deine Gitarre ans eine Ende und schicke es an einen Tuner, Mixer, separaten Amp etc. und den anderen Ausgang an dein Pedalboard, wie immer.

Need to split your signal? Don’t want to settle for a passive device that will kill your tone and cause signal loss? This is what you need! This little box of magic takes your input signal and splits it into two always-on outputs that are buffered so you don’t lose clarity or tone in any way. Plug your guitar in and use one output to send your clean signal somewhere like a tuner, mixer, separate amp, etc... and send the other output through your board like normal.

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Buffered Splitter

Das JHS Pedals 3 Series Harmonic Trem bietet zwei verschiedene Tremolo Modi und ist damit ein vielseitig einsetzbares Tool zur Soundgestaltung. Es bietet die Wahl zwischen einem Standard Tremolo und einem harmonischem Tremolo. Mit den Reglern Rate und Depth kann zusätzlich auf die Geschwindigkeit und Intensivität des Tremolo Effektes Einfluss genommen werden. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

The JHS Pedals 3 Series Harmonic Trem offers two different tremolo modes, making it a versatile sound shaping tool. It offers the choice between a standard tremolo and a harmonic tremolo. With the Rate and Depth controls, you can also influence the speed and intensity of the tremolo effect. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

JHS 3 Series Harmonic Trem & Octave Reverb - Sound Demo (no talking) - Guitar Bonedo

3 Series Harmonic Trem

In 1962 the worlds first manufactured guitar pedal was introduced in the Maestro Fuzz-Tone. Three years later in 1965, it made its way across the pond from the USA to the hands of a British engineer named Gary Hurst in London. The legend has it that he was asked by a London session player to modify the circuit for more bass and better sustain. After some tweaking, the Tonebender was born. The Tonebender MKI was a three transistor circuit as was the following MKII that came later in 1966. Decades after the Tonebenders heyday of the 1960s, a collector named Dennis Johannsen realized that his 60's era Tonebeder had only two transistors, not three. This discovery caused a puzzling situation because all Tonebender circuits through MKIV are a three transistor design. Through further investigation, it came to light in an interview with Gary Hurst that he did make a very small batch of two transistor Tonebenders in February and March of 1966. Dennis Johannsen named his discovery the MK1.5, and it is one of the rarest pedals ever produced, a collectors dream. The Arbiter Fuzz face that came in late 1966 is an almost direct clone as well as various other two-transistor fuzz circuits of the era. The MK1.5 is a true legend of guitar that almost went unnoticed to history. The sound of this fuzz is very aggressive, full of low end, and sustain. You may also notice a slight velcro-ish type decay as notes decay off in extreme settings. As with most classic fuzz pedals, it loves a dirty amp or overdrive afterward in the signal path. Staying true to the original, I used high-grade carbon composition resistors, oversized capacitors, and two germanium transistors that I hand-matched to the circuit. 

Each small batch of Benders will use different transistors as it is challenging to find reliable sources of these devices in large quantities. The circuit uses vintage positive ground voltage, so do not daisy chain your power with other pedals. Inside the pedal is a battery snap or use any isolated power supply with a normal polarity power cable like your other pedals as I have wired it internally to work that way. The Bender is identical to the original except that I adjusted the taper of the pots to feel more intuitive. I also added a single power supply filter capacitor to help with noise and adjusted one resistor value for more volume. The switching is true-bypass. Each pedal in this batch is built-in identical form, but because of parts tolerances and the slight variance in the transistors, they will all be a bit different while still being the same. Be sure to always have this pedal first in your signal chain; the guitar must be plugged into its input due to the impedance it requires on its input, no exceptions. 

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1966 Series Bender

Der JHS Pedals 3 Series Compressor ist ein einfacher, intuitiver und leistungsstarker Kompressor, der von subtiler Kompression über eine smoothe Glättung bis hin zu einem super 'gequetschten' Sound eine Vielzahl an Möglichkeiten bietet. Mit den Attack- und Sustain-Reglern lassen sich die Ansprache und die Stärke der Kompression einstellen, während der Volume-Regler wahlweise Unity Level oder sogar einen Lautstärke-Boost ermöglicht. Der Bright-Schalter aktiviert ein helleres EQ Voicing und verhindert so, dass der Tone in bestimmten Situationen verloren geht. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

JHS Pedals 3 Series - Review by Gitarre&Bass [DE], [12-2020]

JHS Pedals 3 Series - Demo / Review Video - Musiker TV

JHS Pedals 3 Series - Review by Muzikus [CZ], [03-2021]

JHS Pedals 3 Series Compressor - Demo Video - Living Room Gear Demos

JHS Pedals 3 Series - Demo / Review Video - Reverb

JHS Pedals 3 Series - Review by Bonedo [DE], [11-2020]

JHS Pedals 3 Series - Official Demo Video

3 Series Compressor

The JHS Hard Drive is the first attempt in our company’s fifteen-year history at a full-blown and respectable modern distortion pedal that is not based on a previous circuit or classic topology. In 2016, Josh had the idea to develop a circuit that covered the best high-gain distortion tones of the ’90s and 2000s, a sound that embodied the post-grunge alternative rock movement. We started by looking at pedals, then amps, and after exploring the typical paths of circuitry, we took a sharp turn and started from scratch. Eight years later, the pedal is finished and ready to take you to the next level. The Hard Drive goes harder and further than any gain or distortion we’ve released so far.

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