White Pedal V1

OVERDRIVE

FUZZ

EQUALIZER

Five knobs show slight silhouettes on the all-white design, referencing the classic album cover. The first two knobs — Volume and Gain — control the overdrive and fuzz, respectively. Those two on their own yield plenty of tasty tones — specifically that close, right-between-the-eyes sort of direct-to-the-console sound that you hear on Beatle records. Dial back the gain and get that mid-heavy grit. Dial it up and capture an aggressive fuzz that doesn’t do the tubey sag that almost every other fuzz on the market offers. The right two knobs are Treble and Bass controls. It’s a brash pedal when full-throated, so I tend to dial the treble back slightly to help tame the presence. But it’s the Bass knob and the fifth 3-position knob (the Yoko knob) that control a midrange boost frequency that really blew our mind. It’s here that you can dial in parked wah and bandpass filter sounds.