New Pedal Board

BigSky Multi Reverb

Polytune 3 Mini

Drop

Zuma

Nano POG

Cloudburst Ambient Reverb

HX Stomp Stormtrooper White

VOLUME (X) PEDAL DVP3

CRY BABY STANDARD WAH (GCB95)

MOOD MKII

JDI Premium Passive DI

ES-8 Effects Switching System

SUNSET

SD-1 Super Overdrive

MXR M108S Ten Band EQ

CS-3 Compression Sustainer

EP Booster

ojai expansion kit

Timeline

Mobius

Board 2

DD-500 Digital Delay

SP Compressor

RV-2 Digital Reverb

SA 270 - One Series EQ2

Bonsai

Travel Board 2023

Polytune 3 Noir

HX One

Skylar Reverb

AMP MODE

FS-1 Ampero Switch

SA 263 Collider Delay+Reverb

Sub 'N' Up mini Octaver

Iron Horse LM308 Distortion v2

MachX Pedalboard

Pantheon Overdrive

Clean/Dirty Effects Switcher

Buxom Boost

CE-2W Chorus (Waza Craft)

M290 Phase 95

MDV-2 Mini Dejá Vibe Mk II

AUTHENTIC HENDRIX '68 SHRINE SERIES FUZZ FACE DISTORTION

Polytune 2 mini

GCB-95F Crybaby Classic

CSP027 TIMMY OVERDRIVE

Board 1

CRY BABY 535Q MULTI-WAH

Programmable EQ

BB Preamp 

Preamp

DIG unearths the true soul of digital delay and doubles it — two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential.

Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails, all in a compact, pedalboard-friendly format.

Rack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.

Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode.

Multiply these distinct voicings by two and get DIG — your perfect dual delay ally.

Don’t all digital delays sound the same? What gives a digital delay its own unique personality? Digital conversion technologies in the late 70s were advancing rapidly, and clever electronics designers were on a quest to squeeze out the best possible performance specs, with fidelity not possible from tape or analog circuits. Their imaginative solutions to the limitations of the conversion process resulted in delays that possessed some unintended, unique characteristics. DIG accurately and beautifully reveals their individual personalities. ADM – A one bit, high sample rate conversion technique that evolved from telecommunications voice coding. The conversion and supporting signal conditioning, limiting, and pre-emphasis/deemphasis create a percussive wide-band delay that adds more character when input dynamics increase. 12 bit – A 12 bit, 32kHz PCM conversion made possible by monolithic IC chips developed in the late ’70s. Pre-emphasis/de-emphasis and companding combine with the converters to produce a warm delay with a dimensional sense. 24/96 – A clean, high-resolution, high-bandwidth delay with a hint of dynamics that allow the delay to sit nicely with the analog dry signal. 24 bit resolution and a 96kHz sampling rate ensure uncolored, artifact-free repeats.

Product Review 

Product Page 

Product Demo 

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

Product Page

Review by Amazona 

Manual

Audio Examples

Demo by Pro Guitar Shop Demos 

Flint

Power your pedals with Ojai R30—the highest horsepower, most technologically advanced effects pedal power supply of its size. You get clean, rock-steady power for your 9V, 12V and 18V effects pedals in a low profile, expandable package, giving you room to grow.
Ojai R30’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering allow your pedals to achieve their highest possible dynamic range.

Review by Martel Music

Review by bonedo

Demo by Drew Rozé

Official Product Video

Ojai r30

Beim Strymon Cloudburst handelt es sich um ein Stereo-Reverb mit übersichtlicher Bedienung und kompakten Maßen, das auf dem Cloud-Algorithmus des Strymon Big Sky basiert.

A simple and straightforward atmosphere machine spans deep, orchestral ambient reverbs and colorful room sounds.

Review by Bonedo 

Demo by Pete Thorn

Demo by Andertons Music 

Sunset gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. 

Products

Build your own board

Community

Featured Artists

Services

SUNSET

Description

Media

Videos

Manuals

Reviews

Links

Technical data

Boards with this pedal

New Pedal Board

Board 2

Travel Board 2023

MachX Pedalboard

More pedals from strymon

strymon

Dig

strymon

Flint

strymon

Ojai r30

strymon

Cloudburst Ambient Reverb

Products

Build your own board

Services

Community